In
which our Heroine goes Gumshoe.
(Jazzy music plays
softly in the background as city lights slant into the office. The office is spare—containing only a desk,
two moth-eaten chairs, and a double-locked filing cabinet. Backwards on the door’s window in white
letters read: Tara
the Heroine, Detective.)
Tara monologues in a New York accent: There I was, sitting with my feet up on the desk, innocently and might
I say successfully evading the periodic knocks of the landlord as I read the
Times in the waning light of the sunset.
Rent was hard to come by these days.
I could hardly afford to keep my fedora, let alone my office. I was hungry.
I wanted a pie from the diner around the corner and a job to keep me
going another week. Either that or I
needed to get out of town—and quick.
(The door handle rattles as someone tries to push through
into the office. Tara jumps under the
desk. An older woman with short brown
hair and sensible shoes walks in.)
The Lady inquires politely but determinedly: “Hello?
I’m looking for the detective. I
have a job and an airplane ticket for you.”
Monologue continues: Cripes! This woman looked like my mother! And she knew I was there too. Well, nothing to do but come out…
“Ah…hello… I was just
looking for my pencil there under the desk…”
The Lady quirks her eyebrow up and issues a cold smile: “I see.
Perhaps you’re not the person I was looking for. I demand absolute honesty in all my
dealings. I’ll just see myself out.”
Tara, with desperation: “Look
Lady, I’m not proud, but you can’t be too careful in this town. Now why don’t you sit down and give me the
score.”
She sits. The Lady’s eyes begin to tear up. “Its just… I’ve lost my daughter. She can’t seem to find her way home—perhaps she
doesn’t remember how? (Sniffle) I need you to track her down. There are some things in my basement that might
help you—boxes of old junk, really—but you’ll be needing to see it if you have
a hope of finding her.
Tara monologues: And
just like that I was hired. The next
plane to Idaho left at midnight.
By midmorning I was
going through crates of STUFF. Honestly,
what good was all of this trash? I was
in for a long day. It was in the girl’s
box of old dolls that I found my first clue.
All the dolls seemed familiar—but especially the cabbage patch doll, and
a little number with blue flower-print skin named Trixie. Good name. I’d had a best friend with the same name
once. Despite the mess, I was beginning
to feel quite at home here.
I kept searching. Photos of a cute kid with a mass of wavy hair
and bad teeth, Barbie dolls with accessories still included, a slap-stick
bracelet, a 2 inch model of a six-shooter, and 3 ½ inch disks badly organized
and dubiously printed with the occasional: “My disk.” It all seemed so familiar.
Boy, the cogs were
turning now, folks. I was really
detecting. An idea popped into my head:
Was this mine??? It had to be. I distinctly remembered playing with these
toys. And that girl in the photos—well,
big hair and all—that had to be me. It was
hard to believe because I felt so removed from it now. I was hardly the same person. Nothing for it, I’d have to go through the
rest of the boxes tonight or I’s get no respite. I HAD to prove that all this
stuff was the detritus of my previous life.
The next several boxes
were labeled “College Ceramics.” Piece by piece, I set them out in a row on the
floor. Here’s a curious thing, I hardly
remembered half of them. Maybe this wasn’t
me at all. There was a Raku piece that I
swear I’d never touched before—it just couldn’t be me. But when I turned it over, there was my name
scored into the underside with the date, ’01.
Well, that would place me at Junior College. Yeah, I still remember doing Raku at good old
Ricks. And there—I remembered that
graceful vase—a bit of mastery if I do say so myself. And my teacher at BYU, Von, grunting and
saying that at least if I had to do a boring vase it was better than most of
the designs the kids came up with. I
remembered that compliments were hard to come by when you did pottery instead
of sculptural ceramics.
Well, I had to admit
it, it was all mine—even if I still had no memory of it. You’d think after crafting it with my own
hands, going through the shaping, bisque firing, and then glazing process, that
some of this would stick a little better.
The Lady comes down to check on the detective, offering a
plate of fried chicken. “Did you find
her? Yes? Good, now you can help me get rid of all this
stuff!”
It’s a queer thing
trying to decide which piece of pottery to keep and which to throw out. I must confess that some were pathetically easy
because they were both ugly and apparently unmemorable.
Fiction? Not
entirely. I really did got through my
old junk down in my Mom’s basement while on vacation last month. Many of the details, and all of the emotions
are real. I have often compared my mind
to a double-locked filing cabinet with a bad organizational system. However, I do not own an office in the city,
nor do I owe rent to a grumpy landlord.
But my mother did feed me some excellent fried chicken.